642 Royalty-Free Audio Tracks for "C Minor"

A chord progression in c minor made on lmms, played on bells put through phasing and delay. If you make music using this, please leave a link under this post.

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 3rd movement (presto), performed by Paul Pitman for Musopen

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

*9261st harmonic on C = E♭++. Just: 9261/8192 = 212.34 cents. Limit: 7-limit. MIDI pitch bend: 121,35 on m3

*Lesser 23-limit semitone on C = D♭-. Just: 24:23 = 73.68 cents. Limit: 23-limit. MIDI pitch bend: 74,87 on PU

A set of orchestral hits with different instrumentations. The chord c minor is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

Part of the beta loopset, a set of complementary synth loops. It is in the key of c minor, following the chord progression cm bb fm g7. It is four bars long at 110bpm. It is normalized.

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

*1331st harmonic on C = E↑↑↑♭-. Just: 1331/1024 = 453.95 cents. Limit: 11-limit. MIDI pitch bend: 33,113 on m3

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

*Hundred-forty-third harmonic on C = E♭↑-. Just: 143/128 = 191.85 cents. Limit: 13-limit. MIDI pitch bend: 49,29

*Hundred-forty-seventh harmonic on C = E♭+. Just: 147:128 = 239.61 cents. Limit: 7-limit. MIDI pitch bend: 86,44

*79507th harmonic (H43/H43/H43) on C = E♭-. Just: 79507/65536 = 334.55 cents. Limit: 43-limit. MIDI pitch bend: 7,75

Chopin - Mazurek cis-moll op. 50 nr 3Chopin - Mazurka in C sharp minor, Op. 50 no. 3

Funky solo saw synth loop to beef up your groovy track! i've made one in every minor key, all at 110bpm for maximum percussive funk!. All my sounds are free to use commercially, but donations are always appreciated!.

*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2

*Two-hundred-third harmonic on C = A♭+. Just: 203:128 = 798.40 cents. Limit: 29-limit. MIDI pitch bend: 62,95 on P5

*Two-hundred-ninth harmonic on C = A↑♭. Just: 209:128 = 848.83 cents. Limit: 19-limit. MIDI pitch bend: 80,79

*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

*Just diatonic semitone on C = D♭- (Ben Johnston's notation). Just: 16:15 = 111.73 cents. Limit: 5-limit. MIDI pitch bend: 79,67 Created in Sibelius.

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

*Forty-ninth harmonic on C = A♭+. Just: 49:32 = 737.65 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 7-limit. MIDI pitch bend: 6,76

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

A synth melody i made for a song of mine. In the key of c minor. Made in fl studio 12 using: "minisynth", "gross beat" and "dub delay - tal".

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

An ambient loop that was made with three instruments in caustic 3. Can be used as a ambient/emotional instrument in a song. Scale-c pentatonic minor110-bpm.